What It Means When the Mercenaries Appear
In this essay for The Washington Post, Elliot Ackerman traces the long history of private armies, from Rome to Russia's Wagner Group.
In this essay for The Washington Post, Elliot Ackerman traces the long history of private armies, from Rome to Russia's Wagner Group.
In this essay for The Washington Post, Elliot Ackerman describes the planned Global War on Terrorism Memorial on the National Mall.
In this review for The Washington Post, Elliot Ackerman assesses Mitchell Zuckoff's "The Secret Gate," set during the Kabul evacuation.
In this review for The Washington Post, Elliot Ackerman assesses Tom Roston's "The Writer's Crusade," on Kurt Vonnegut and "Slaughterhouse-Five."
In this essay for The Washington Post, Elliot Ackerman argues that America, not its Afghan allies, was the first to leave the battlefield.
In this essay for The Washington Post, James Stavridis and Elliot Ackerman argue the next world war will be fought unlike any before it.
In this review for The Washington Post, Elliot Ackerman assesses Adm. William McRaven's memoir "Sea Stories," weighing its truth against its mythmaking.
In this essay for The Washington Post, Elliot Ackerman argues that both America and Afghanistan carry unmet obligations to each other as peace talks with the Taliban falter.
In this review for The Washington Post, Elliot Ackerman assesses "American Cipher: Bowe Bergdahl and the U.S. Tragedy in Afghanistan," by Matt Farwell and Michael Ames.
In this essay for The Washington Post, Elliot Ackerman argues that troop withdrawals, like Trump's from Syria and Afghanistan, more often signal a war lost than won.
In this review for The Washington Post, Elliot Ackerman assesses C.J. Chivers's "The Fighters: Americans in Combat in Afghanistan and Iraq."
In this essay for The Washington Post, Elliot Ackerman argues that NATO's real flaws, drawn from his own combat experience, won't be solved by Trump's public shaming of allies.