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Essays

The Washington Post

Illustration of a faceless soldier in a camouflage pattern made of dollar bills, standing before a burning city skyline.

What It Means When the Mercenaries Appear

In this essay for The Washington Post, Elliot Ackerman traces the long history of private armies, from Rome to Russia's Wagner Group.

A soldier walks alone through a smoke-filled desert landscape.

A Memorial to the War on Terror

In this essay for The Washington Post, Elliot Ackerman describes the planned Global War on Terrorism Memorial on the National Mall.

A dramatic black-and-white close-up portrait of a man's face partially obscured by his hand, holding a cigarette.

Vonnegut, PTSD, and 'Slaughterhouse-Five'

In this review for The Washington Post, Elliot Ackerman assesses Tom Roston's "The Writer's Crusade," on Kurt Vonnegut and "Slaughterhouse-Five."

An Afghan National Army commando kneels with a rifle raised during a training exercise, with soldiers patrolling in the background.

We Abandoned Afghans on the Battlefield

In this essay for The Washington Post, Elliot Ackerman argues that America, not its Afghan allies, was the first to leave the battlefield.

View from the deck of a U.S. Navy destroyer bow at sea under overcast skies.

The Next World War Won't Look Like the Last

In this essay for The Washington Post, James Stavridis and Elliot Ackerman argue the next world war will be fought unlike any before it.

Two special operations soldiers seen through green night-vision optics, wearing helmets and combat gear.

Missions and Mythmaking From a Navy SEAL

In this review for The Washington Post, Elliot Ackerman assesses Adm. William McRaven's memoir "Sea Stories," weighing its truth against its mythmaking.

A U.S. Army advisor shakes hands with an Afghan military officer as other soldiers look on at a base in Afghanistan.

What We Owe Afghanistan

In this essay for The Washington Post, Elliot Ackerman argues that both America and Afghanistan carry unmet obligations to each other as peace talks with the Taliban falter.

Book cover of 'American Cipher: Bowe Bergdahl and the U.S. Tragedy in Afghanistan' by Matt Farwell and Michael Ames, showing a soldier walking alone through a dusty haze.

Delusions of a Soldier, and an Army

In this review for The Washington Post, Elliot Ackerman assesses "American Cipher: Bowe Bergdahl and the U.S. Tragedy in Afghanistan," by Matt Farwell and Michael Ames.

President Trump, wearing a bomber jacket, gestures while greeting U.S. troops alongside first lady Melania Trump at al-Asad Air Base in Iraq.

Troops Coming Home Rarely Means Victory

In this essay for The Washington Post, Elliot Ackerman argues that troop withdrawals, like Trump's from Syria and Afghanistan, more often signal a war lost than won.

Book cover of 'The Fighters: Americans in Combat in Afghanistan and Iraq' by C.J. Chivers, showing a soldier crossing a rocky river in a mountainous valley.

Two Unfinished Wars, Thrill and Horror

In this review for The Washington Post, Elliot Ackerman assesses C.J. Chivers's "The Fighters: Americans in Combat in Afghanistan and Iraq."

A lone soldier carrying a rifle stands silhouetted against a vast, hazy Afghan desert landscape at dusk.

NATO's Flaws Won't Yield to Bullying

In this essay for The Washington Post, Elliot Ackerman argues that NATO's real flaws, drawn from his own combat experience, won't be solved by Trump's public shaming of allies.