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Essays

The New Yorker

Black-and-white photo of a speaker at a podium surrounded by "Hillary" signs at the 2016 Democratic National Convention.

What to Make of Military Endorsements

In this essay for The New Yorker, Elliot Ackerman examines dueling letters of retired military officers endorsing Donald Trump and Hillary Clinton.

President Erdoğan speaks at a podium beneath a large portrait of Atatürk in military uniform.

Atatürk vs. Erdoğan: Turkey's Long Struggle

In this essay for The New Yorker, written after the July 2016 coup attempt, Elliot Ackerman examines the long struggle between Atatürk's secular Turkey and Erdoğan's Turkey.

A Turkish police officer stands guard behind police tape at Atatürk Airport's damaged terminal.

The Arrivals Hall at Atatürk Airport

In this essay for The New Yorker, written a day after the bombing at Istanbul's Atatürk Airport, Elliot Ackerman reflects on the attack and its aftermath.

Donald Trump speaks at a podium during a 2016 campaign rally.

Why Trump Was Wrong About the Troops

In this essay for The New Yorker, Elliot Ackerman responds to Donald Trump's suggestion that U.S. soldiers profited from Iraq reconstruction funds.

The U.S. Consulate General building in Istanbul, a fortress-like structure with an American flag, overlooking the city.

Erdoğan's ISIS Opportunism

In this essay for The New Yorker, Elliot Ackerman examines how Erdoğan's A.K.P. has used the war against ISIS to try to marginalize Turkey's Kurds.

News vans and camera crews gather at the Turkish-Syrian border near Tal Abyad.

The Story of the Story at Tal Abyad

In this essay for The New Yorker, Elliot Ackerman reflects on the media scene at the Turkish-Syrian border after Tal Abyad fell from ISIS control.

David Petraeus stands before a bank of press microphones outside a Charlotte courthouse.

Justice, In and Out of Uniform

In this essay for The New Yorker, Elliot Ackerman examines why David Petraeus, Jeffrey Sterling, and the Blackwater contractors received such different sentences.

Poster for the documentary 'The Cow Farm' by Ali Sheikh Khudr, showing a man watching a helicopter overhead.

A True Story of the Syrian Civil War

In this essay for The New Yorker, Elliot Ackerman attends a private Istanbul screening of "The Cow Farm," a documentary about a Syrian regime soldier.

The Kurdish flag flies before the Citadel of Erbil, with men on horseback in traditional dress.

The U.S. Friendship with the Kurds

In this essay for The New Yorker, Elliot Ackerman visits Erbil and reflects on the complicated friendship between the U.S. and the Kurds against ISIS.

Local residents examine the wreckage of a mud-brick structure in a drone strike's aftermath.

Assassination and the American Language

In this essay for The New Yorker, Elliot Ackerman reflects on the language America uses to describe drone strikes and targeted killing.

A PKM machine gun mounted on sandbags at a peshmerga front-line position, overlooking the desert toward ISIS positions.

Eight Men, and One Gun, on the Iraqi Front

In this essay for The New Yorker, Elliot Ackerman visits a peshmerga front-line position near Makmour, Iraq, held by eight men and one machine gun.

Elliot Ackerman and Douglas Zembiec in Marine dress blues aboard the USS Constitution, 2003.

Pictures from My War

In this essay for The New Yorker, Elliot Ackerman reflects on two photographs that bookend his experience of the Iraq War.

Afghan National Army soldiers stand near a checkpoint fence at dusk.

Waiting Out the Afghan War

In this essay for The New Yorker, Elliot Ackerman reflects on the Afghan war's lack of a defined strategy after the death of Major General Harold Greene.