Shop our new arrivals:



Use coupon code WELCOME10 for 10% off your first order.

Cart 0

Congratulations! Your order qualifies for free shipping You are $200 away from free shipping.
Sorry, looks like we don't have enough of this product.

Pair with
Is this a gift?
Subtotal Free
View cart
Shipping, taxes, and discount codes are calculated at checkout

Your Cart is Empty

Essays

The Atlantic

Composite illustration accompanying Elliot Ackerman’s essay Bring Back the War Department

Bring Back the War Department

In this essay for The Atlantic, Elliot Ackerman argues that renaming the Department of Defense as the Department of War would do more than revive an old title. It would...

Civilian in a red coat stands before a damaged apartment building in Ukraine as thick black smoke rises from fires caused by a Russian missile strike, illustrating the destruction of urban areas during the ongoing war.

The Abandonment of Ukraine

Following a visit to Ukraine alongside bipartisan members of Congress, Elliot Ackerman and Karl Marlantes examine the realities of the battlefield, the rapid pace of military innovation, and the consequences...

President Donald Trump looks toward a Medal of Honor recipient during a White House ceremony.

Trump's Medal of Dishonor

In this essay for The Atlantic, Elliot Ackerman reflects on Donald Trump's comments comparing the Presidential Medal of Freedom to the Medal of Honor. Drawing on his experience as a...

Black-and-white photograph of Donald Trump raising his fist while standing onstage at the 2024 Republican National Convention in Milwaukee.

The Trump Campaign Has Peaked Too Soon

In this Atlantic essay, Elliot Ackerman uses military theory to analyze the 2024 presidential campaign. Drawing on the concept of the "culminating point" from Carl von Clausewitz, he argues that...

Former President Donald Trump, blood visible on his face after the attempted assassination at a campaign rally in Butler, Pennsylvania, is surrounded by U.S. Secret Service agents as he is escorted from the stage.

Lower the Volume

In this essay for The Atlantic, Elliot Ackerman draws on his experiences as a Marine officer in Iraq to examine political violence, democratic responsibility, and the dangers of allowing politics...

Composite illustration featuring portraits of Mary Queen of Scots and Marie Antoinette, symbolizing political legitimacy, monarchy, and historical rivalry in European history

The Two Marys

Elliot Ackerman reflects on political legitimacy, passion, and instability through the intertwined stories of Marie Antoinette and Mary Queen of Scots.

Two stylized eagle statues, one red and one blue, stand facing opposite directions against a neutral background.

War-Gaming for Democracy

In this essay for The Atlantic, Elliot Ackerman attends a political war game designed to simulate the first days of a second Trump administration. As participants explore scenarios involving militias,...

Ukrainian soldiers shelter in a frontline trench during the Russia-Ukraine war, pausing amid combat operations in eastern Ukraine.

The One Element Keeping Ukraine From Total Defeat

In this essay for The Atlantic, Elliot Ackerman reviews Yaroslav Trofimov’s book Our Enemies Will Vanish, an account of Ukraine’s first year resisting Russia’s invasion. Ackerman examines the role of...

Attendees move through a No Labels political event as American flags flank large No Labels signs in the background.

Meet the Super SPAC

In this essay for The Atlantic, Elliot Ackerman explores how the political organization No Labels has built a nationwide ballot-access infrastructure that could transform presidential elections. Drawing parallels to financial...

U.S. Marines move through the streets of Fallujah during intense urban combat as flames and black smoke rise from damaged buildings in the background.

A Knife Fight in a Phone Booth

In this essay for The Atlantic, Elliot Ackerman draws on his experience leading Marines during the Second Battle of Fallujah to explain the brutal realities of urban warfare. Comparing the...

Wagner Group fighters ride atop a military vehicle in Rostov-on-Don during Yevgeny Prigozhin’s short-lived rebellion against the Russian government.

Prigozhin’s Loss Is Ukraine’s Gain

In this essay for The Atlantic, Elliot Ackerman examines the fallout from Yevgeny Prigozhin’s failed rebellion and what the likely weakening of the Wagner Group means for Russia’s war in...

American soldiers pause beside a military vehicle during World War II as war correspondent Ernie Pyle speaks with servicemen near the front lines.

The Key to America’s Victory in the Second World War

In this essay for The Atlantic, Elliot Ackerman revisits the work of legendary war correspondent Ernie Pyle through the reissue of Brave Men. Ackerman argues that Pyle understood a fundamental...

Dark smoke billows over the skyline of Khartoum, Sudan, as conflict erupts between rival military factions.

Why Aren’t We Evacuating Americans From Sudan?

In this essay for The Atlantic, Elliot Ackerman argues that the United States is departing from a long-standing tradition of evacuating American civilians trapped in conflict zones. Drawing on his...

Workers assemble military rocket launcher systems on a production line inside a Lockheed Martin manufacturing facility in Camden, Arkansas.

The Arsenal of Democracy Is Reopening for Business

In this essay for The Atlantic, Elliot Ackerman visits Lockheed Martin’s facilities in Arkansas to examine how America’s defense-industrial base is responding to the demands of the war in Ukraine....

Black-and-white photograph of the Motherland Calls statue in Volgograd, Russia, raising a sword toward the sky, symbolizing the Battle of Stalingrad

The Two Stalingrads

Elliot Ackerman explores how the legacy of Stalingrad belongs to both Russia and Ukraine, drawing on the work of Soviet war correspondent Vasily Grossman to examine history, identity, and the...